Publications/Multimedia
PARTICIPANTS
Kari Fisher (2013)—Prose: “Episodes from Someone Else’s Previous Marriage: 472 South Bellows Street #3,” 2013 Saint Paul Almanac.
Alicia Hoffman (2015)—Poetry: “Setting,” Right Hand Pointing, Issue 54, 2012; “The Land Line,” Tar River Poetry, Fall 2012.
Warren Read (2015)—Humor Column: “Henhouse Forum,” Henhouse: The International Book for Chickens and Their Lovers, Write Bloody Publishing, Oct. 2012.
Karin Rosman (2014)—Fiction: “Blue Dress Day,” Gargoyle #59, November 2012; “Fireweed,” Summerset Review, Winter 2012.
ALUMNI
Christina Collins (2010)—Poetry: “The Separation,” “Cartoon Logic,” “as children we went skating,” Vinyl Poetry, Volume 6.
Pat Craig (2009)—Fiction: “The Weather in Yuma,” Sou’wester, Spring 2012.
Katie Eberhart (2010)—Poetry: “Essentially Empty,” Sand, Berlin’s English Literary Journal, Issue 6, Sept. 2012.
Kathleen Flenniken (2012)—Interview: “Ten Bad Poems for Every Good One: A Conversation with Washington’s Poet Laureate,” National Public Radio, June 20, 2012.
Adrian Gibbons Koesters (2007)—Poetry: “A Nun Wishes She Were Great at Her Job,” Hotel Amerika, Spring 2012; “A Nun Eats Out of Turn on a Fast Day” and “A Nun Takes Things Personally,” The Gettysburg Review, Fall 2012.
Erin Coughlin Hollowell (2009)—Poetry: “Playground,” Thrush Poetry Journal, September 2012.
Lita Kurth (2009)—Creative Nonfiction: “Glass Art,” CompositeArts, Issue No. 9, Sept. 2012; “Ten Bad Poems for Every Good One: an Interview with Kathleen Flenniken, Washington State Poet Laureate,” TheReviewReview.
Buzz Mauro (2008)—Fiction: “The Last Theorem,” Imaginaire, Issue #1, reprinted from Tampa Review.
Anne McDuffie (2007)—Essay: “Fog: A Study,” Fugue, Spring/Summer 2012.
Kristina Moriconi (2011)—Poetry: “Geometry,” TrainWrite; “Strands,” “I wanted to tell you,” “Transformation,” Granny Smith Magazine, June 2012; Essay: “A Loss for Words,” Rock & Sling, Summer/Fall 2012.
Hilary Schaper (2008)—Essay: “Puppet, Stone, Sweater: A Study in Animation,” Hotel Amerika, Vol. 10, Number 2, Spring 2012.
Michael Schmeltzer (2007)—Poetry: “Elegy/Echo,” Vinyl Poetry, Volume 6.
Tina Schumann (2009)—Poetry: “A World of Want” and “A Day in the Life,” American Society: What Poets See, FutureCycle Press; “Last Call,” The Yale Journal for Humanities in Medicine; “Neither Here Nor There” and “It’s Like This,” Subterrain #60.
Judith Shadford (2009)—Fiction: “Walking Out,” Ellery Queen Mystery Magazine, June 2012 issue.
Justin Wadland (2011)—Essay: “How It Feels to Be Pregnant Me,” Crab Creek Review, 2012 Vol. 1.
Cameron Walker (2008)—Fiction: “Ripening,” PANK, September 2012.
Kristy Webster (2012)—Fiction: “Luz,” Molotov Cocktail, October 2012.
Tarn Wilson (2008)—Essay: “My Czechoslovakian Plastic Surgeon,” Airplane Reading, June, 2012. “In Praise of Inadequate Gifts,” Harvard Divinity Bulletin, Summer/Autumn 2012; “A Narrative Break: On Reading After Crisis,” Ruminate, Issue 25, Oct. 2012.
FACULTY
Fleda Brown—Poetry: “Sleeping Bear Dunes,” The Cortland Review, Issue 58: November 2012.
Stephen Corey—Poetry: “Abjuring Political Poetry,” “Emily Dickinson Considers Basketball,” and “Universe,” The Southern Poetry Anthology, Volume Five: Georgia, December 2012.
Holly Hughes (2006)—Interview: With Nancy Lord in Terrain: A Journal of the Natural and Built Environments, Fall 2012: Ruin and Renewal.
Dinah Lenney—Shorts: “Acorn” and “Stick Kite,” Prime Number, Issue #23.3, Fall, 2012; Essay: “Breakfront,” AGNI #76, Fall 2012.
Rebecca McClanahan—Essay: “Sublet,” The Bellingham Review; “Gingko Song,” The Kenyon Review (also available from The Kenyon Review as a free download for mobile devices); “The Soul of Brevity: Thirteen Ways of Looking at the Brief Essay,” Tampa Review.
Brenda Miller—Essay: “How to Get Ready for Bed,” Fourth Genre, Fall 2012; Book Chapter: “Friendship, Intuition, and Trust: On the Importance of Detail,” The Rose Metal Press Field Guide to Flash Nonfiction: Advice and Essential Exercises from Respected Writers, Editors, and Teachers, ed. Dinty Moore, Rose Metal Press, Fall 2012.
Stan Rubin—Poetry: “Vulture,” Cider Press Review 14, July, 2012; “Gulls in War Time,” Hubbub 28, 2012; “Celebration” and “A Brief History of Music,” Carolina Quarterly Vol. 62, No. 2, 9-11; “Au Bad” and “Op. Cit.,” The Laurel Review, Vol. 46 No.1, Fall 2012, 115-116.